My rough-around-the-edges, Texas-rancher dad spent 25 years or so in a house with four females (and one bathroom for most of that time), and I never once heard him complain.
As he said to me when I recently asked him what the secret was to being married to my mom for 50 years, this is his philosophy: “I try to keep my head down and my mouth shut.”
Did I mention he’s fairly funny, too?
My dad with child-labor ranch-hand.
He probably learned that mantra in the Army, but hey, it’s not a bad plan. It’s also one that failed to sink in with his middle daughter. But ironically, I think I actually owe a good part of my outspoken nature to my dad.
You see, he may look to the world like a Tony Lama-boots- and Stetson hat-wearing good-old-boy from Waelder, Texas. But my dad is a highly intelligent man who, in partnership with my mom, gave us all an extraordinary gift: He made his daughters wholeheartedly believe that we could be anything we wanted to be, that we could do anything we set our minds to. As long as we worked hard and used our brains (that he helped cultivate, I might add), the world was ours to conquer.
In fact, I didn’t even really believe that sexism existed out there in the world — that girls were sometimes treated differently, as somehow less — until I got to college. You can imagine my anger and downright shock when I encountered blatant discrimination from a professor at Texas A&M. It was only then that I realized being a girl meant I’d need to work even harder to get to where I wanted to go.
But that was okay, too. Because my dad also taught me that no matter what life throws at you, you work through it. No matter how much something hurts, you find your grit and get up again the next morning.
Here’s a prime example of the kind of father my dad was when we were growing up. I decided on a whim one day, at age 17, that I wanted to work at the local radio station as a DJ. I had no experience, of course, or any idea of what the job entailed. But why would that have stopped me?
I didn’t ask my parents about the idea; I just headed down to the station and pitched myself to the owner, who just happened to need someone for the late-night shift — as in signing-off-at-midnight-with-the-national-anthem night shift. Neither of my parents blinked an eye when I told them about my new gig, and I started the following week.
I had my own wheels by then, so I didn’t need a ride to and from the station. And yet, every night, once I’d signed off the air, as I’d lock up the station alone and walk out to my car, I’d see my dad parked a few yards away in his old Chevy, just waiting. Maybe listening to some Waylon Jennings or CW McCall, or reading a Larry McMurty novel by the humming street light. Night dew already on the windshield, crickets chirping all around. I’d smile at him, give him a little wave, and then he’d follow me home.
He never once said I couldn’t do that job because it was dangerous, leaving the station so late, by myself, when everyone in the two-county broadcast area knew exactly where I was and when I’d be heading home. He never suggested I do something a little more ordinary, like a normal junior in high school might do.
He never said a word.
He was just there. Making sure I was okay. Even though it meant he had to stay up late, too.
He was just, always, there.
I knew he had my back, even though he’d raised me to be fearless.
Handsome grandpa, unknown stinkbug grandson
Now, when I think about how I’m raising my own son, I’m using that as my guide. Be fearless, kid. Grab your crazy idea and go for it. But I’m here. I’m always here. Just in case.
My dad may not be a man of many words, unless he’s telling old Army stories, but he certainly knows how to raise little girls to be headstrong, independent women who rarely take no for an answer.
Thank you, Daddy. (Yes, we all still call him that. We were raised in Texas, remember.)
Thank you for being our head-down, mouth-shut, loving hero who inspired us to be who we are today.
I kind of think that, even now, in your seventies, you’re still the glue that holds us all together.
Happy Father’s Day.
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You know how most people lose socks? That’s how I lose bras. Yes, bras.
I think it’s because I’m always taking them off. Which sounds like I’m a floozy-ho-slut (technical term), but really it just means I hate wearing them, so I tend to rip those suckers off the moment I think I no longer need an over-the-shoulder boulder-holder. (Thanks for the term, Judy Blume.) That might include in my car, my office, the kitchen, the backyard … you get the picture.
So they just … disappear.
This is the bra that is missing. If you find it, please return immediately.
Right now, I have misplaced for several weeks my only beige-colored bra. That means I only have black bras to choose from, and one very bright red one with polka dots that hasn’t fit me since 1998. It also means that every time I dress for the world, I have to consider what shirt will work with a black bra. (Because I’m too cheap to go buy a new beige one when I KNOW the other one will turn up soon. And since I’m not really a floozy-ho-slut, I don’t want my black bra showing through my shirts. At least not all the time.)
This also means that half of my wardrobe is unwearable right now. And this means that I have to think too much in the mornings, which I try not to do.
This all leads up to one night this week when I was getting ready to go to see Bob Seger and the Silver Bullet Band in concert. I was choosing what to wear and of course did not have the aforementioned BEIGE bra. But I really, really wanted to wear a cute blouse that required a BEIGE bra.
In my infinite wisdom, I decided that going braless to a concert wasn’t a bad thing.
I mean, women do it all the time, right? At least they do at Willie Nelson concerts; there are usually tube-tops involved.
A rare moment on Willie’s bus (not). I love the Internet.
Now maybe those women aren’t as, errr, well-endowed as me, but it’s a thing. People do it. Besides, I just knew Bob Seger would be able to FEEL the overwhelming presence of my braless boobies from onstage. They would inspire him.
That’s how I came to be talking to a couple of guys at the concert who were seated in front of me who will very likely never forget me.
You see, I was leaning over a bit to talk because they were BELOW me, and the sleeve of my blouse caught the edge of the arm of my seat. Which shall we say pulled the fabric a bit (a lot) to the left. Which in turn caused a gap. Which in turn gave these lovely men a tumbling sort-of-oh-my-god-there’s-a-large-dangling boobie right-in-front-of-me kind of view.
We’re not talking flashing a little side boob here. There may or may not have been nipple involved.
I really hadn’t noticed anything was askew at first. Because I’d had a few adult beverages by this point. I was digging some “Turn the Page,” and I thought these two old hippie men were just really interested in my witty conversation.
But then I began to note that my chest was not the area where my witty conversation was emitting from, and yet that area was where they appeared to be focusing their attention.
I honestly didn’t know whether to laugh or cry at this point. I think I said something like, “Oh, wow, would you look at that?”
In retrospect, I should have just said, “It’s for Bob,” and left it at that.
It was probably in reality only a second of a flash. But I have learned my lesson now: Don’t try to make witty conversation after several adult beverages. It’s not worth it.
It was all for you, Bob.
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My latest novel, A Good Kind of Knowing, has been out now since October (in ebook, since December in paperback), and this is the first time it’s been offered free as an ebook via Amazon. It’s a free promotion in advance of my blog tour, which begins next week.
If you’d like to try the novel, risk-free, this is when to download! The promotion goes from April 4 through April 7.
The book currently has 35 reader reviews on Amazon and a 4.5-star average rating. (Thank you, readers, who have offered your heartfelt reviews!) A friend recently told me that it was the most moving book she’s read in a long time. Wow. Just. Wow. So pleased with that kind of response to my work.
Feel free to share this information with friends. For every download, I hope that person enjoys the story enough to tell a friend.
Oh, and you don’t have to have a Kindle to get the free download. You just need to add the Kindle app to your iPad, android tablet, iPhone, desktop computer, whatever. You can get the free app here.
Thanks, always, for the support!
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I’ve always loved to listen to good music while reading a good novel. And since the love of music, and its universal calling, is a central theme in my latest novel, A Good Kind of Knowing, I wanted to develop a playlist for readers to have on hand while reading the story.
In the book, the artists and songs mentioned range from outlaw country to early jazz, from Ella Fitzgerald to George Strait, from music made in the 1920s to lyrics penned in the 1980s. In the following playlist, I’ve taken liberties to include some current-day music, as well. But mostly, I’ve carefully chosen music for each chapter based on the mood of the characters and the pacing of the plot. In many cases, the songs listed here are ones the characters themselves are listening to in the storyline; others are ones I remember listening to when I wrote these very chapters and scenes.
I sincerely hope you enjoy this playlist as much as I enjoyed putting it together.
A Good Kind of Knowing — A Novel by Kathy Lynn Harris
The Official Music-to-Read-By Playlist
Chapter 1
Pretty Paper – Willie Nelson
Chain of Fools – Aretha Franklin
Amarillo by Morning – George Strait
Wasted Days and Wasted Nights – Texas Tornadoes
Everyone Will Crawl – Charlie Sexton
Speed of the Sound of Loneliness – Nanci Griffith
I Gotta Find Peace of Mind – Lauryn Hill
Sugar Plum Fairy – Duke Ellington
Walkin’ After Midnight – Patsy Cline
Silver Wings – Merle Haggard
A Good-Hearted Woman – Waylon Jennings
Chapter 2
Working Man – Merle Haggard
Faded Love – Bob Wills
Should I Come Home or Should I Go Crazy – Gene Watson
Old Time Rock and Roll – Bob Seger
Resistance is Futile – Steve Coleman
I Won’t Dance – Frank Sinatra
Regalame un Besito – Laura Canales
How Blue Can You Get – B.B. King
Chapter 3
Angel from Montgomery – John Prine and Bonnie Raitt
Lover Man – Charlie Parker
Summer Skin – Amy Cook
Can`t Let Go – Lucinda Williams
Chapter 4
Rainy Days And Mondays – The Carpenters
Someday – Steve Earle
Bruises – Train featuring Ashley Monroe
Chapter 5
(Sittin’ on the) Dock of the Bay – Otis Redding
Black Coffee – Ella Fitzgerald
Blue Moon – Billie Holiday
Chapter 6
Brown Sugar – Rolling Stones
Who’ll Stop The Rain – Credence Clearwater Revival
Kentucky Waltz – Bill Monroe
Chapter 7
Rainy Day Woman – Waylon Jennings
Blueberry Hill – Fats Domino
Fishin’ in the Dark – Nitty Gritty Dirt Band
California – Joni Mitchell
Lost Highway – Hank Williams
Understand You – Lyle Lovett
Chapter 8
Lullaby – Johannes Brahms
Sharp-Dressed Man – ZZ Top
Ain’t No Way – Aretha Franklin
She Thinks I Still Care – George Jones
New Life In Old Mexico – Robert Earl Keen
Chapter 9
Sunday Kind of Love – Etta James
A Love that Will Never Grow Old – Emmylou Harris
Chapter 10
If I Had You – Benny Goodman
That’ll be the Day – Buddy Holly
Runaway Train – Roseanne Cash
Chapter 11
Sunday Morning Coming Down – Johnny Cash
Desde Que Conosco – Freddie Fender
Down to My Last Cigarette – k.d. lang
A Soft Place to Fall – Allison Moorer
Chapter 12
I Don’t Wanna Fight – Tina Turner
Members Only – Bobby “Blue” Bland
Blues for Dixie – Asleep at the Wheel featuring Lyle Lovett
New and old friends and family who support my writing. A six-year-old who can already cook up a mean batch of fried catfish. Sonic ice and Dr Pepper. A husband who buys me Sonic ice because he knows it makes me happy. Two furry babies who make me smile, no matter how very bad they can be. My publisher, 30 Day Books (Laura Pepper Wu and Brandon Wu) — it’s so darn awesome to know that there are good, kind people all over the world, and that I have these folks on my side. Jeremy Kron for his wonderful work on my novels’ cover and interior design. My new job with Truven Health Analytics. I’m loving the work so much. Knowing that I’ll get to see my family and taste my mama’s cooking in just a couple of weeks. My Kindle Fire. Brilliant writing by people who inspire me. The herd of deer hanging out on our road this evening. The Rocky Mountains. Fresh mountain air. Memory foam. This laptop. Friends I know will be there for me if I need them. Texas Hill Country pecans, found at a Target in Colorado, believe it or not. Cool cotton pillowcases. Good wine. Stand-up comedians. A mother- and father-in-law who adore my son and treat us all with overwhelming generosity. The good health of myself, my family and my friends. The music of Lyle Lovett. Sara Lee pies because I don’t have time to make my own. Readers out there in the universe who are reading my novels and taking the time to let me know that my words touched them somehow. Every single person who has written a review of either of my novels. My eyesight. A soft, warm blanket on a chilly night. Stars. Avocados. Dark chocolate. Ariat boots. Vacuum cleaners. Wild Orange essential oil. A massage therapist as a spouse. And the sound of my angel-son saying, “I love you, mama,” as he drifts off to sleep.
What are you thankful for right now, in this moment? (Don’t think about it deeply, just spit out what comes to mind. It’s nice sometimes to just Let. It. Out.) PS: Vacuum is a weird word, isn’t it?
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I’m cheating a little tonight. I was going to write a quick blog post before hitting the hay, but then I realized I had recently answered an Author Q/A for a blog during my two-week blog tour, but the content was never used.
So I think I’ll publish it here, just for kicks. The really cool thing? It includes a quick teaser of content from my second novel, A Good Kind of Knowing, which will be out this summer. I hope you enjoy it. But first, the Q/A.
Q: What inspired you to write this book, Blue Straggler?
I had written a short story with three of the characters that now appear in Blue Straggler (Bailey, Rudy and Idamarie), and I just loved them so much that I needed to put them into a broader story. Plus, the main character in the short story (Bailey) was going through a kind of early mid-life crisis, and I knew a lot of friends who were going through similar things, as was I. I thought the story could be universal and really explore what it means to find out who you are and where you’re meant to land in life.
Q: Do you have a favorite place you like to write?
Our deck in the summer = paradise for me.
Yes! On my deck in the spring, summer and fall. I live in a log cabin in a beautiful area in the Colorado mountains, in the middle of a national forest. It’s so peaceful; I can’t think of a better place to settle in and crank out stories. When winter rolls around, and the deck is not an option due to 20-below temperatures and snow, I write in my back bedroom or in the great room, next to a warm, crackling fire. Thank goodness for laptops (and golden retrievers to keep my feet warm)! We’re talking of moving to a lower elevation soon; it’ll be interesting to see how it affects my writing.
Q: Do you have a favorite author of your own?
So many. I love Barbara Kingsolver. She’s probably at the top of my list. Anna Quindlen would be there, too. (Her new memoir is brilliant.) Anne Lamott and Lorrie Moore. Larry McMurtry. Cormac McCarthy. Toni Morrison. I just can’t choose; it’s like asking me which of my many furry babies (dogs) I’ve had through the years I like best.
Q: A favorite character? One of yours or someone else’s that touched your heart?
A: Not to toot my own horn, but in my Blue Straggler, I love, love Idamarie. She’s just so down-to-earth and real and colorful and she always shoots from the hip. She’s the kind of Texan I miss most, living in Colorado like I do now. If I could have an Idamarie in my life, I think life would be even more fun than it is now. And I’d likely be more grounded with her sage advice around.
Q: Are you currently working on anything? If so, can you give us a tease?
I am putting the finishing touches on my next novel, A Good Kind of Knowing. It’s set in a small, rural town in Texas, and explores how all of these small-town lives are interconnected, and how even though we all come from different places in our lives, we have a lot in common — big things like humanity and small things like a love of good music.
So, I’ll leave you with a super tease! This is the most I think I’ve revealed of any part of the book. As you’ll see right away, A Good Kind of Knowing is a different kind of novel than Blue Straggler. It’s not comic fiction, though there is some humor.
This is the kind of jukebox mentioned in the excerpt below.
This is an excerpt from about halfway through the story. Sera is the main character in the novel; she owns a local music store. She’s married to Bill, but has a “special” relationship, which is growing in intimacy and closeness, to a handsome young musician (Mack). She’s been pretty sick for a while, and most people in town know it. Some of her friends have been trying to help out at her business while she deals with her illness.
_____________________________________________
Mack waited for her at Antonio’s bar. Antonio stood over by the pool tables, emptying ashtrays from the night before. The afternoon sun filtered in through the small windows up front, sending sleek slats of light into the otherwise dark room and catching the perpetual dust of the place in a kind of suspension around the room. Two men, both in their eighties, sat at a square table in the corner, smoking thick cigars and playing cards. Every now and then, one of them would chuckle and cough. Antonio had turned on the jukebox—an old Wurlitzer with just one remaining front bulb flickering—and pushed the numbers for his favorites, mostly Freddy Fender hits.
Antonio mumbled the words to “Vaya Con Dios” as he picked up the previous night’s litter around the booths in the back. Empty beer bottles knocked together in his hand.
Mack sat at the bar, his felt hat on the barstool beside him, his hands working to fold a square bar napkin into the shape of a flimsy paper airplane. He shifted his weight on the barstool, glanced back at Antonio, then shifted again. “Sure I can’t help you back there?” It was the third time he’d asked.
Antonio hollered his response. Same as before.
The front door squeaked a little, drowning out the low-playing music for a second, and Sera stepped into the bar, jeans hanging loose on her hips and one of Bill’s sweatshirts tied around her waist. A blast of fall slipped in behind her and the wind sucked the heavy door back hard as she came in.
“Hey there. Been waiting long?” She greeted Mack with a quick kiss on the cheek. He wondered if she’d meant to let her lips linger, or if it was only in his mind.
“Thanks for meeting me, hon. I needed to get out of the house for a while.” Sera waved to Antonio as she talked. “I don’t know how long I can stay, though. I never know when my body’s going to give up the ship for the day.”
“I was glad you called,” Mack replied, nodding again at Antonio as he motioned for them to help themselves to the cold longnecks chilling in a long, aluminum tub next to the bar.
Mack picked out a couple and used the corner of his brown work jacket to twist off the caps.
“Can you even have beer?” Mack hadn’t thought to ask before he handed it to her.
“Oh hell yes. Why not? Not like a little beer every now and then ever killed a person.” She laughed at her joke and nudged Mack’s shoulder.
“Funny.” He didn’t mean it.
Antonio walked over to them and put his hands on Sera’s neck.
“How’s my favorite lady today?” Antonio asked, squeezing her thin shoulders. Mack straightened next to her.
Sera smiled and swirled around on her barstool to face Antonio. “Tony. Join us? I’m taking a walk on the wild side, going to see how hops and barley affect pancreatic distress.”
Antonio glanced at Mack, then back at Sera. “Maybe later, okay?”
“Later,” Sera agreed.
As Antonio left to check on his two customers, Sera turned back to Mack and asked how things were at the store.
“Nobody’ll tell me a thing, Mack. Bill hardly even speaks to me these days. I’m lucky if I get a good morning from him, much less a report on how things are going. And I went by the shop on my way here, and Tommy Lee and Ruby D. were down there—on a Sunday, mind you—arguing over shelf space.
“I think it’s all gonna be alright, Sera. Everybody’s tryin’ real hard.”
“I know,” she said, letting out a long sigh. “You know, I’m really thinking you all are crazy and we ought to just close the shop for a while. It would ease my guilt of you all trying to make this work.”
Mack cleared this throat and nodded toward the bar door. “Guess this weather’s gonna stay cool for a while longer,” he said, doing his best to change the subject.
Sera didn’t answer. They sat together, listening to Freddy Fender sing about being there before the next teardrop falls. One of the men sang out to the chorus in Spanish.
“I’ve been thinking about heaven, Mack. I mean, there’s a side of me that wants to believe there is this garden of sunshine up there waiting for me with all the people I’ve ever lost in the world sitting around sipping lemonade in the shade. The weather would never get hot, and there’d be cats everywhere and my mother and Otis Redding and Patsy Cline would all be singing every night at a little dive. But something tells me it isn’t that simple.”
“It could be.”
“Yeah, but what if we’re living in heaven right now? I mean, what if we’ve got it all wrong, and we’re already there.”
“I guess there’d be some people going around missing out on the lemonade.”
Sera smiled. “Maybe we ought to switch the lemonade to Shiner Bock.” She clicked her bottle against Mack’s.
In the back, Antonio turned the key on the jukebox and punched in new codes to start the music up again.
An old Johnny Rodriguez song dropped into play, a melody about being down on the Rio Grande, lovers walking hand in hand. Sera hummed, and Mack watched the beer swirl against the glass as he moved his bottle in circles with his wrist.
“Do you realize we’ve never danced together?” Sera turned to face him.
Mack smiled slightly, concentrating on his beer. “Guess there was never a time, what with me on stage and all.”
Sera waited for a moment. “What about now?”
Mack surveyed the room. “Now?”
He looked at her—this woman with eyes that danced no matter what the music, with a face that could weaken any man, with a spirit that spread around her like a magician’s stardust.
He blushed, then stood up and offered his hand. She grinned and he grinned and the old men in the corner grinned. Even Antonio looked up from his calculator—and slowly grinned.
Together, Mack and Sera swayed and moved in a slow two-step around the center of the hardwood floor. Daylight streamed in around them like nature’s spotlight. Mack held her loosely at first, but Sera moved as close to him as she could, her left hand at the nape of his neck, her right in his leading hand.
He heard her breathe in, but was not aware that she was actually trying to hold on to his scent—an earthy combination—part leather, part cotton. Part hay, part rope. Part beer, part coffee. Part horse mane and part crushed wild weeds.
As she rested her head on his shoulder, Mack let his own breath out slowly, for fear she’d know, finally, full well, the effect she had on him. Her hair, blown in many directions from the wind when she came in, tickled his nose. But he couldn’t brush it away, didn’t ever want to brush it away. He closed his eyes and memorized how her body moved, how somehow he was no longer leading and his body was only reacting to the sway of Sera’s hips, his boots following the sliding of Sera’s across the floor.
I know there are plenty of music snobs out there who look down their noses at country music. And I will admit that some of what’s played on country radio these days isn’t any better than sugary, dance-mix pop or chip-on-the-shoulder rap.
But the country music that I love, and that I grew up on, is good stuff — some of the best music ever made in my opinion. I spent many a night drifting off to sleep to the sounds of my parents playing dominoes with friends or barbecuing a brisket on Sunday afternoons, while listening to folks like Willie Nelson, Gary Stewart, Charley Pride, Charlie Rich, Eddie Rabbit, Loretta Lynn, Conway Twitty, George Strait, Moe Bandy, Johnny Cash and Patsy Cline.
And you know what? I’m so thankful that my parents and grandparents raised me to love country music the way I do. I’m so glad my world was inundated with steel guitars and fiddles and the ability to two-step by the time I was 3 years old. Because I truly believe it has made me a better writer.
If the only song you think of when you think of Loretta Lynn is "Coal Miner's Daughter," you are missing out. Try "Don't Come Home A-Drinkin'" and you'll hear perfection.
Why? Because country music is all about hard drinking, hard loving and hard living. It’s based on strong, get-you-in-the-gut storytelling. Except for the aforementioned crapola that somehow makes its way to radio these days, country can tell a heart-wrenching or heartwarming tale like no other genre of music. (Blues is a very close second. A blues guitar riff can give me goose bumps without a word ever being sung.)
Basically, country music has long explored humanity, in all its goodness and flaws. Wife left you for another man? Check. Lost your job and long to tell your boss to go to hell? Check. Drowning your sorrows in whiskey? Check. Cheating with your best friend’s husband? Check. White trash girl honing in on your S.O.? Check. Love your mama even though she’s in jail? Check.
Seriously, is there any better fodder for good, juicy fiction than these themes? Can anyone really listen to Willie’s Whiskey River (Take My Mind) without wanting a stiff drink? Is there any sexier a song than Kris Kristofferson’s Help Me Make It Through the Night? And who wouldn’t root for Dolly Parton as she pleads with a chick to back off her man in Jolene?
As a friend who does not love country music the way I do once joked to me: “My life is perfect right now and this stuff still makes me want to get drunk and cry my eyes out.”
Exactly.
The Hag and I even agree on political leanings, at least right now. See? There are SOME Democrats in country music.
And that’s why it’s good stuff. And why I should also really thank Mr. Merle Haggard in person for writing If We Make It Through December and Silver Wings, among other greats.
__________________________________________
DID YOU KNOW? There are tons of 1960s country music references in Blue Straggler. And my second novel, which will be out later this year and is titled A Good Kind of Knowing, includes music (a lot of it country) as a thread throughout the book. In fact, music has such prominence in the storyline that it’s nearly a character itself.
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DID YOU ALSO KNOW? Blue Straggler is a #1 bestselling novel now after hitting the top spot on Amazon in comic fiction earlier this month. It’s stayed in the top five now for four weeks. The novel is also on two other bestselling lists. It’s all so amazing! Thank you again to every single reader who took the time to check out my work. I appreciate you, and you’ve had a real impact on my life.
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